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Showing posts with label St. George and the Dragon. Show all posts
Showing posts with label St. George and the Dragon. Show all posts

Tuesday, May 29, 2012

Back from Spectrum

Today's post will be brief as I am still recovering from the awesomeness that was Spectrum Live 2012.

I can't remember the last time I have had so much fun. Apart from how great it is to get together with old friends and see what everyone has been up to this whole time, it was great to meet so many new artists that came out for this event.  

It was also really great to see so many of the European artists make it out.  There is just so much talent in Europe but it seems like we rarely ever get to cross paths with them, which is a shame.   
Jean-Baptiste Monge, Paul Bonner and Petar Meseldzija all came.  

Monge did a watercolor demo that I showed up for a half hour early because, well... it's J.B. Monge. 
Bonner brought some really wonderful prints, a new sketchbook and a few of his flabbergastingly detailed originals.  (I offered him my car as a trade at one point.)
And Petar brought some of the most gorgeous oil paintings I have ever seen.  



Every time I go to these events I get extremely depressed at how amazing all the other artist's work is and wondering what I have been doing all these years. But I also leave extremely inspired and eager to try new approaches and start on new images. I am really looking forward to getting started on some new work.

Tuesday, November 15, 2011

Sketchbook 2011




9 x 6, 32 pages, color

For those of you who missed Illuxcon, I am selling a new sketchbook! I am really excited about how this one turned out (This year it's in color!)









The sketchbook contains a lot of work from St. George and other projects finished in 2011. 


I am selling the sketchbooks HERE. All are signed, but I am doing drawings in the first 50 orders!

Wednesday, September 07, 2011

Reference Hunting: The Narrows




In 2004 some friends and I hiked the Narrows at Zion National Park in Utah.  Of all the hikes I have ever been on, this was perhaps the greatest.




During much of the hike, the 100 foot vertical sandstone walls of the canyon close in so tightly that you must hike in the water itself, which is murky, and full of bowling balls, making each step a perilous lesson in jujitsu.




When I was working on the St. George illustrations, I kept coming back to this place in my mind, and in the end, I used it very closely for the images of the last showdown with the dragon.  Part of this, is that amidst all the natural splendor of the Narrows, there is an element of danger, depending on which time of the year you are hiking.




When we got into the park we were told that it would be very dangerous to hike the canyon because if it rained then there would be a good chance that it would flash flood in the canyon. This would result in either severe injury or death or both.  But only if it rained. And it was suppose to rain.

Also, there were cougars.

After looking at the forecast, my friends were justifiably alarmed that we might get rained on half way out in the gorge and then be overtaken by a chocolate mud-slide of bowling balls and angry cougars. I was only able to convince everyone to go by showing them pamphlets for the hike, which offered glowing, happy pictures of elderly couples and very young children hiking in the stream, unmolested by mud-slides or cougars. If they can brave it, being elderly and infirm, surely we can.




(Confession: The pamphlets were actually not for the hike we would be taking, but a separate, safer one with guided trails. I lied and I am sorry.)

But in the end it never rained, and we weren't caught up in a flash flood or eaten by the indigenous fauna.  Instead we witnessed one of the most amazing places I have ever seen on planet Earth and the most memorable hike I have ever been on.

If you ever get the chance, go to Utah, stop by Zion National Park and hike the Narrows.  You will not regret it.

(But check the forecast first…)


                                                                          Image: Jon Sullivan


Note: This post is a re-post from Muddy Colors. To check out the original post and comments visit: Muddycolors.blogspot.com.

Wednesday, August 10, 2011

St. George Final



As some of you may recall, I planned to tackle one of these two final St. George pieces in oil.  This was the piece I chose. 


Oil Underpainting


Things started off really well. But after finishing the underpainting, I ran into some minor health issues... 


Side effects may include...


And I turned into a monster and ate my neighbors.
  
Apparently my problem is that I cannot seem to manage to paint what I want without solvents and solvents just don't agree with me. 
So, while I sit here filing down my fangs and waiting for the manufacturers to solve this problem,  I tackled this piece digitally, in the same manner as the previous St. George painting.  


Digital Underpainting


St. George #10
12 x 16
Pencil and Digital


Note: This post is a re-post from Muddy Colors.  To check out the original post and comments visit Muddycolors.blogspot.com

Monday, August 01, 2011

St. George Process Articles on Muddy Colors

Recently, along with a few secret projects that I am not allowed to discuss even under pain of death, I have been working on a small show for Gallery Nucleus.  It is based on St. George and the Dragon and it goes up on August 6th.  

To see some of the methods used in the creation of these pieces, check out the Muddy Colors links below.  






Tuesday, July 12, 2011

St. George Drawings

This is some recent development work on the St. George project. I'm still not sure how I want to tackle these two pieces. Oil, watercolor, or all digital. Decisions, decisions....







Tuesday, May 17, 2011

Recent Project: St. George


I have recently been working on series of paintings for a show at Gallery Nucleus in L.A. They are based loosely around the St. George and the Dragon legend. It's a project I have wanted to work on for a long time and it's been great fun so far.
The following is some of the early rough work for the first painting for the project.

Character Development work
Pencil on Vellum


Character Development work
Digital

Early Watercolor Stages
Strathmore Bristol


Thumbnail/Color Comp
Digital