TLC Workshop Details

For those of you who have signed up for the Seattle TLCWorkshop August 16-18, here is a preview of
what we will be up to!

(And if you haven't signed up yet and are interested, check out the TLCWorkshop site for more details.)  

TLC Workshop 2013: Monsters and Maidens 

with Justin Gerard and Cory Godbey

(with Special Guest Appearance by Iain McCaig!)

The Project:
For this course, we will be illustrating a scene from one of the following two stories:

Beauty and the Beast 

Alice in Wonderland 

...with a focus on a monster and a maiden. We will be exploring visual storytelling and how to create interesting dynamics between our characters.

What you need to do beforehand:

READ: Familiarize yourself with your story and pick a scene or idea it that is interesting to you.

IMAGINE: Spend some time thinking about your characters and how they relate to one another. Are they in conflict with one another? Are they helping one another? Place yourself in the scene as if you are part of the story.

DRAW: Put together some thumbnails and rough sketches of your ideas. They can be stick figure layouts, or Da Vinci portraits. Wherever you are in your development when you get here, Cory, Justin and Iain will be helping you to take it to the next level.

PREPARE: To rock.

THE FORMAT:
Cory and Justin will talk through their processes, both traditional and digital, as well as demonstrate how they work. Each day Cory and Justin will cover a new part of their illustration process and then the class will work on their illustrations together.
And the-force-of-nature-that-is Iain McCaig will also be spending an afternoon with us showing his hands-on approach to character and creature creation.

Materials Needed:
We will be focusing heavily on drawing and character design in this course. While painting is not the focus of the course, Cory and Justin will be demoing how they work in color and attendees are encouraged to work alongside them.

For more information, visit the site here!

Some Sketches for You

The new sketchbooks are shipping out right now! This past weekend (after some time to recover from a phenomenal time at Spectrum Live in Kansas City) I took some time and did some drawings in the first 30 orders.

The topics for these sketches ranged from men in strange hats...

 to ancient dragons...

to orcs with limited table manners...

To crocodiles who mean well...

And even into reliquaries of great power...

And finally, (as always) to princesses.  

Thank you guys for the support and the renewed interest in these. I love working on them and I'm looking forward to getting started on the 2013 one soon. We will be doing something a little different and a little bigger for 2013.  Stay Tuned...

----------------------------------------------------------------------------------------------------------------------------------

To see sketches from previous sketchbook releases check out:

2011 Sketchbook Sketches Post

2012 Sketchbook Sketches Post

To order one check them out at:
https://www.etsy.com/shop/JustinGerard

Sketchbooks are BACK!

The sketchbooks have arrived!  They will be up for sale Tuesday, May 14, 2013, at 11AM EST here:

https://www.etsy.com/shop/JustinGerard

And as I mentioned in a previous post, the first 10 orders of each book will be receiving a sketch in the front!  

To get an idea of what these sketched-in editions generally look like check out:

The 2011 Sketches

The 2012 Sketches

May the fastest refresher win!
One final note: I will be shipping these AFTER I return from Spectrum Live!  So please give me a little extra time to ship these before setting up any artillery batteries.  


Some images from the new edition of Sketchbook 2010: The Silver Age:

 https://www.etsy.com/shop/JustinGerard

Running a Little Late...

Guys! The sketchbooks are running a little late. I know you are probably as angry as I am. I have personally killed 12 Sasquatches, 30 camels and a Ford Pinto in anger over this outrage. I cannot even imagine what you all have been doing in your anger. Please accept my apologies for the delay!
 
The books will be up on my store TUESDAY morning! Watch for it here and on my Muddycolors tuesday post!

Spectrum Live and Updates

Many things are happening... The first is Spectrum Live in 2 weeks. Will you be there? WILL YOU BE THERE?

 WE WILL.

Second, due to increasingly hostile demands, I am currently having my 2010, 2011 and 2012 sketchbooks reprinted. They are being printed as we speak, and will be available for order sometime next week.  Please, no violence! I can get you the goods!  

The 2011 and 2012 books are the same as the previous printings.  However, the 2010 is special.  This time I am printing it on much high quality paper, and am also including a number of extra spreads of many of the sketches and sepia paintings that have not been seen before.  (And that I had always wished I had been able to put in the first printing.)  

As soon as they come in I will announce it on my blog and put them up on my etsy store. I am going to do sketches in the first 10 orders of each book! BE PREPARED. 

And third, TLC Workshops are running an early-bird special in conjunction with Spectrum Fantastic Arts Live! If you register for the Justin Gerard/Cory Godbey workshop before the event is over on May 20 you will receive 10% off the regular tuition price. Contact Tara Chang at TLCWorkshops1@gmail.com if you have any questions. Check it out here.

The workshop is going to be a ton of fun. Why? Because I will be there and Cory Godbey will be there. That is twice the action, twice the intensity, twice the sensational juggling. To get a preview, or to judge wether or not Cory and I really exist in the real life, come visit us at booth #513 at Spectrum Live. 

Fox Princess Development Work

The following is some development work for a piece I am working on for Spectrum Live next month. 

Digital Color Comp

This color comp was a little break from other work I had been doing recently which mostly involved dwarves, wizards and other assorted hairy men. I wanted to do something different for a bit. 

Princess study on toned paper

I liked the direction it was heading, but then it just felt too empty. There was not enough narrative interest and my brain started to go numb from boredom. Beauty should be its own excuse to paint, but it is already beautiful outside right now; i needed to add something more.  

I realized it was missing the key element: 

Rat ninjas.

Early digital face gestures 

The ninjas made me feel a lot better about everything. Now there is a good tension along with (hopefully) something beautiful. They add a nice contrast to our princess and now I wanted to know more about her, where she is going, where she has been, and why they want to nab her. What will happen next?

Tight drawing on heavyweight bristol.  

If you are going to be at Spectrum Live in May stop by and say hello to see how the final color version turns out!

Gandalf Oil

A little while back I did a quick sketch of Gandalf in anticipation of the opening of The Hobbit. At the request of a collector I did a finished oil version of it and wanted to share it.

 Oil on panel 

11" x 14"

A little side note for anyone who has followed along with my misadventures in oil these past few years: You have probably heard me complain many times before that I couldn't seem to work in oil without using solvents, but that if did use solvents, that I would always end up having this allergic reaction where I would grow fangs, claws, and an unruly beehive haircut. I would then of course go roaming about the neighborhood howling at the moon, ravening for meat-flavored things.  

This oil was done without the use of any solvents whatsoever. It was done using only walnut alkyd oil, and using only oil pigments that tend to dry faster. (siennas, umbers, pthalos, etc.) So far I haven't grown a single beehive haircut, which is pretty exciting.  

Early sketch on toned paper

Baron Von Fiddleworth

For Christmas this year, my girlfriend and I exchanged oil paintings. At the time, I was into fruit bats and World War II documentaries.  So naturally, this is what I came up with for hers:

Baron Von Fiddlesworth

9" x 12"

Oil on Panel

We had agreed that we would exchange 8" x 10" sepia paintings so that it wouldn't be too much panic on each other during the holidays. For hers, I did what I think everyone would agree is a completely reasonable amount of cheating and and painted it 9" x 12".

Digital Sketch

But she did a clearly unreasonable amount of cheating by painting mine in color. Which I think everyone can agree is pretty messed up when.  Hers is also amazingly gorgeous. You can see it here: http://anniestegg.com/gallery/#/antiquated-thoughts/

  

Color Comp and Painting for the Boar Rider

In my last post, I went through the layout phase of the boar-rider. Today I have the finished oil painting and for comparison, my initial color comp.

Color Comp in Photoshop

This color comp is a little unusual in that I took it really far, and I did it over top of drawings that were already pretty tight.  This tightness in a color comp can be dangerous because it can make me feel a little locked in and there are less happy accidents and explorations that go on.  It trades the energy of spontaneity for an idiot-proofed coloring stage.

Painting, Oil on Gessoed Panel, 12" x 16" 

As you can see I ended up sticking fairly close to my initial color comp. The only major difference is the heavier glazes that darkened the image overall.

 Detail

Lamp Post Guild Update:

#1 My course has launched!  And the powers that be have given me this:

Use the discount code MUDDY to get 25% off. This is limited to the first 30 takers. Act immediately.   

Check it out at:

http://lpg.pathwright.com/school/catalog/course/the-craft-of-illustration-justin-gerard/

#2 My Llama-herding course has been post-poned indefinitely.  Please do not ask me anymore about it. 

Layout Tricks

Here is a a new piece I am working on and some layout tricks I use when designing a scene:

Thumbnails and a digital comp

At the beginning I just draw really sloppy.  Sloppiness helps you because.... ok, it's not really helpful.  But nothing is perfect at first.  You always have to refine, refine, refine.  

What goes here?

After I have drawn up a comp based on my initial thumbnails I will sometimes draw a background separately from my character.  Sometimes I will draw the background behind the character, which allows me to move the character around a bit after dropping them in.  This can allow you to experiment with different layout options.  In this case I was too cool to experiment with different layout options and left a boar-shaped hole in my scene.

 A dwarf riding a boar

I then draw my character separately.  This is especially helpful in scenes with multiple detail figures.  Here I have done the drawing on toned paper to also start to get a better feel for how I want to treat the lighting.  

Combined layout

Then, using devilish trickery, I combine everything into a workable layout.  Now the layout is ready to be transferred to my final painting surface.  

Next Post: Color Comp

Valentine's Story

Happy Valentine's Day all!

I have no art to share today. Instead I have a short story I contributed for a painting done by Annie Stegg.
Check it out here!

2013 TLC Workshop

Hey Guys! I am doing another TLC Workshop in Seattle this year, August 16-18.  Only this time I am teaming up with superfriend Cory Godbey to offer double the excitement, double the fun.

If you are unfamiliar with Cory's work, check it out at http://lightnightrains.blogspot.com.

Last year's course was a lot of fun. Seriously, it was a blast. And people learned things.  Great Things:

We are looking forward to the same this time around and hope you will join us there.
For sign-ups and more info check out: www.tlcworkshops.com/p/illustration-workshops-2013.html